Internet Spam Email And The Form Of An Attachment Essay

copies. Most common in spam emails in the form of an attachment. Prime user of social engineering to trick users into opening the attachment. CRYPDEF short abbreviation for CryptoDefense. Unique version of ransomware that demands the users to pay the money that is being requested to be paid using bitcoin currency. CRYPTCOIN demands users to pay in bitcoin in order for the files to be decrypted. One free test is offered to the users in order to decrypt their files. CRYPTFILE utilizes public key RSA encryption and demands 1 bitcoin to obtain the private key in order to decrypt the files. CRYPWALL sent through email and is contained within spam attachments. This ransomware also comes equipped with multiple versions of spyware attached to it. This type also follows an updated ransom note. CRYPTROLF displays a troll face post encryption of your files. CRYPTTOR changes the wallpapers on desktops to illustrations of walls and then prompts the user to pay the ransom in order to pay the amount that the user is asking for. CRYPTOR is a batch file type ransomware that possesses the capabilities of encrypting user files using an application known as Privacy Guard. DOWNCRYPT comes to the user via spam email that creates decoy documents to persuade the user that none of their documents have been stolen or tampered with. VIRLOCK tampers with document files, user archives, batch files and media files such as images and photos. PGPCODER first ransomware discovered back in 2005.Show MoreRelatedThe Current Problems And Issues Regarding Email Security1487 Words   |  6 Pagesregarding email security. It will specify about the increasing impacts and issues that is happening in todays world, mainly business and organizations are affected and have to suffer the aftermaths of this uprising issues. 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Analysis Of Ayaan Hirsi Ali Speaks Of Honor Killings And...

Ayaan Hirsi Ali speaks of honor killings and forced marriages in Middle Eastern society in the The AHA Foundation 2nd Annual Conference. She begins with describing her personal situation when she was younger; her arranged marriage to a relative and then her escape to the Netherlands at the age of twenty-two in an effort to avoid this marriage where she was met with an entirely different culture where the pressure of the honor of the family was not forced upon females by both female and male parties within the family. She noted how Dutch women wore what they pleased, failed to have rigid curfews, had romantic relationships as they desired, and did not have to obey their male guardians in every aspect contrary to the adamant regulations imposed on women in the Middle Eastern society she grew up in. She describes how the difference between regular domestic abuse and honor violence is that honor violence is justified by the perpetrator by their culture and religion; they claim they have no other choice because the woman in question defiled the families honor and there was no other option available other than to kill her for the sake of honor. When a woman born in this culture begins to defy her family, the family will either commit an honor killing, or marry the girl off, Ali states. When honor killings are performed they are almost always made to look accidental, and can range from shootings, stranglings, drownings or even beheadings when a point is to be made to other

Amy Hill a double agent with personalities to spare Essay Example For Students

Amy Hill: a double agent with personalities to spare Essay As Amy Hill explains it, the Japanese language uses deep feeling to slice through contradictions. Her Japanese dictionary defines the word shibui, for instance, as sulen; an astringent; tasty; a trained voice. Hear the contradictions? she asks me. In Japanese you have to experience the word to understand it. Hill believes that in order to understand the Japanese language you must first live the culture, and in order to live the culture you must first speak Japanese. A contradiction? yes, but Amy Hill is no longer afraid of contradictions, as her three one-woman shows, Tokyo Bound, Beside Myself and Reunion, attest. Born in Deadwood, S.D. to a Japanese war-bride and a Finnish-American father, she counts the sting of prejudice among her earliest memories. She describes her early life with the vocabulary of a double agent: I realized that I needed to get into a certain groups in order to operate. So I did a lot of observation, and would find my way in. But I was always on guard. The family moved to Seattle, and by the time she was in high school, suffering was the only thing that made sense. She became an artiste, wore black, smoked unfiltered cigarettes. At 18, Hill wanted to move to Paris, but her mother would only finance a move to Japan. So reluctantly, she packed her black turtlenecks and moved to Tokyo. Outline1 From Deadwood to Tokyo2 Spiritual travelogue3 A Japanese talking clock From Deadwood to Tokyo In Japan, Im exotic, explains Hill, who was soon hired by Japanese supermarkets who billed her as the California girl, paying her $100 a day to distribute lemons. Then came real celebrity as the host of a radio travelogue about Japan, told from a foreigners perspective. The program was a hit, and so was Hill. For once it literally paid to be an outsider: I was outside, she says, but it was okay, because I was special. As Hills public career gathered momentum in Tokyo, however, her lifes path was quietly drawn inward. My mother began writing me lettersin Japanese, she says. It was the first time shed spoken to me in her native language. I was stunned. As she recounts in Tokyo Bound, her mother was transformed from this goofball illiterate who could barely read or write Englishto this formidable, intelligent woman. Mother and daughter began a rich correspondence that was a profound source of self-discovery for Hill. After six years of Japanese celebrity, realizing that the countrys fascination with her was based largely on appearance, Hill retraced her steps back to America in 1978. Within an hour of her arrival in San Francisco, shed found what would become her new homethe theatre. My friends who met me at the airport were doing a tech rehearsal that night at the new Asian-American Theater Workshop, and we went there straight from the airport. And there I stayed for eight years. Spiritual travelogue Hill had arrived at the inception of that theatre, and was quickly welcomed into a family of determined artists. During the day I would take classes at ACT |San Franciscos American Conservatory Theatre~, then at night I would teach what I had learned at the Asian-American, she recounts. I was teaching and directing and acting, while I was learning. Out of that flurry of creativity came some landmark productions, including Philip Kan Gotandas The Wash, David Henry Hwangs F.O.B. and Genny Lims Paper Angels. After eight frantic, productive years at the Asian-American Theatre Workshop, Hill uprooted herself and moved againthis time to Los Angeles, where the Japanese American Cultural Community Center asked her in 1991 to create a monologue for its annual Fresh Tracks series. I wanted to be surprised by what came out of me, she recalls. A slow process of journalizing her memories gave birth to Tokyo Bound, a spiritual travelogue through racism, Japanese culture and the search for identity. .u97acc5ee602725eb692386b5ef95afee , .u97acc5ee602725eb692386b5ef95afee .postImageUrl , .u97acc5ee602725eb692386b5ef95afee .centered-text-area { min-height: 80px; position: relative; } .u97acc5ee602725eb692386b5ef95afee , .u97acc5ee602725eb692386b5ef95afee:hover , .u97acc5ee602725eb692386b5ef95afee:visited , .u97acc5ee602725eb692386b5ef95afee:active { border:0!important; } .u97acc5ee602725eb692386b5ef95afee .clearfix:after { content: ""; display: table; clear: both; } .u97acc5ee602725eb692386b5ef95afee { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u97acc5ee602725eb692386b5ef95afee:active , .u97acc5ee602725eb692386b5ef95afee:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u97acc5ee602725eb692386b5ef95afee .centered-text-area { width: 100%; position: relative ; } .u97acc5ee602725eb692386b5ef95afee .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u97acc5ee602725eb692386b5ef95afee .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u97acc5ee602725eb692386b5ef95afee .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u97acc5ee602725eb692386b5ef95afee:hover .ctaButton { background-color: #34495E!important; } .u97acc5ee602725eb692386b5ef95afee .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u97acc5ee602725eb692386b5ef95afee .u97acc5ee602725eb692386b5ef95afee-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u97acc5ee602725eb692386b5ef95afee:after { content: ""; display: block; clear: both; } READ: Seers on the rim EssayAlternately outrageous and reflective, Hill plays out a series of vivid snapshots of Japanese women: a department store escalator girl, wearing white gloves and hat, who continuously wipes the handrail of the escalator with a handkerchief while welcoming the customers. Or a pop singer in a fluffy red dress covered with Japanese snack package labels, lip-synching the disco refrain Shinu hodo itai na no yo! (Id rather die than say goodbye), dragging a pantomime dagger across her stomach in mass-media seppuku. Or the female talk-show host who suffers from a hacking smokers cough (I gave up many things in life. Marriage. Family cough Smoking long pauseMy uterus). These flamboyant, hilarious characterizations are contrasted with her own painful attempts to fit in, braving public nudity in public baths and shopping for clothes that were always several sizes too small. A Japanese talking clock Developed in collaboration with director Anne Etue and dramaturg Judith Nihei, Tokyo Bound reflects Americas desperate search for a multi-ethnic philosophers stone, and Hill has toured the show around the country, from Seattles Bumbershoot Festival to the New York Shakespeare Festival. But when the Rodney King riots tore through Los Angeles, Hill stopped writing. I just didnt know what I could do to make an impact, she says. Then as I watched the riots I remembered feeling that kind of rage when I was young. I started writing childhood memories, and thats when Beside Myself started. While Beside Myself chronicles events in her childhood and youth that shaped her perception of the world, her most recent piece, Reunion, focuses on someone else: Hills 80-year-old mother, portrayed by her daughter in a series of conversations with a Japanese-speaking talking clock. Reunion is my mothers story, but really all womens, Hill says. In addition to her solo work, Hill works as an actress in theatre, television and film, and also produces and hosts a public access cable show focusing on Asian-Pacific Americans in arts and entertainment. A member of the Mark Taper Forums Mentor Playwrights Program, she recently directed 29 1/2 Dreams: Women Walking Through Walls at East West Players in Los Angeles. Amy Hill seems to have inherited an important strategy from the Japanese: Her surfeit of charm eases our awareness of being confronted. It is only in retrospect that we find ourselves sympathetically weighing Hills conflicts as though they were our ownthat we discover it was not only Amy Hills identity hanging in the balance, but ours as well.

Survey Of Romantic Versus Realism Paintings Essay Paper Example For Students

Survey Of Romantic Versus Realism Paintings Essay Paper A Survey of Romantic and Realistic PaintingsFantasy and reality occupy our worlds everyday. One sees this world around himself and he retreats to what he wishes it was. Why shouldnt he paint about it? The portrayal of fantastic and realistic notions occupied the activity of painters from the mid 1800s to the 20th century. The period of Romantic painting lies roughly from the mid 1700s to the mid/later 1800s, while paintings from the movement of Realism are grouped from the mid 1800s to the 1900s. The aspect of a Romantic compositions balance is characterized by diagonals and tension. Disproportion, imbalance and a feeling of pushing and pulling within the depth of the composition can also be observed. While movement and activity is characteristic of Romantic paintings, a still, quiet, stationary behavior epitomizes Realism paintings. In Eugene Isabeys Boat Ashore at Calas (1851), simple romantic elements comprise the piece: diagonals and smoke. A main diagonal line emphasizes the dow nward slope of a shore lined with beached boats resting upon the sand. A challenging inferior diagonal line of a small group of people and their dinghies cross the main diagonal flow. The two lines of tension resolve at the lower center of the composition highlighting the main, looming subject a dark massive apparition of a docked, freight boat enshrouded by blackening smoke. This is in contrast to Gustave Courbets depiction of sea life in The Calm Sea (1869). The painting resembles a high resolution black and white photograph. Realistic elements are the stationary flatness of the horizon and the solitary presence of two single beached boats. The portrayal of the shoreline, horizon and cloud formation is horizontally stable, thus emphasizing the calmness of the sea. Baron Antoine-Jean Gros Murat Defeating the Turkish Army (1805) is a composition which presents an overwhelming flow of diagonal tension. Murat is centered in the composition uprightly astride on his horse, while the Tu rkish army surrounds him in every conceivable contortion of agony. The Turkish general faces Murat, yet he is positioned diagonally right below Murat in an inferior military pose. Compared to Murat, Courbets Bonjour Monsieur Courbet (1854) finds a very stable balance in the subject of two men saying good-bye to another man. The subject can be divided by the two men on the left and the backpacked man on the right. Stability is emphasized by the strong vertical presence of the men in direct contrast to the flat planed background. The use of balance and tension in Romanticism and Realism is not restricted to its compositional flow but also to the the painters use of his palette. We will write a custom essay on Survey Of Romantic Versus Realism Paintings Paper specifically for you for only $16.38 $13.9/page Order now The use of color in Romantic paintings is bold visually and figuratively. Its usage is implemented to represent a feeling or an ideal. The presence of a color may not be realistically representative. For example, if the blood of a corrupt official is painted, it might be painted black or green, rather than red. There is also a heavy application of paint from the brush. The presence of a blurring smoke is also present in much of Romantic paintings. Blurring smoke has many uses, although its usual function is to detach and glorify the main subject from the rest of the background. Color in Realism is highly refined. Color defines the object and is representative of colors in real life a persons blood will usually be red. Lighter brushstrokes are implemented conservatively to represent a true visual representation of reality. The use of color representation can be observed in Gros Murat and Courbets Bonjour. The victorious Murat is clothed in blue and white upon a white horse, surrounde d by the perishing Turkish swirls of orange and red. Anything that is orange or red around Murat is in a pose of impaled misery. All orange and red is contorted to reveal the imposing presence of Murat. In Bonjour, colors stay inside their lines. The colors used on the mens clothing are very specific to reveal the texture of the clothing. This restriction of color succeeds in giving the painting a quaint realistic candidness. The contrasting use of clouds and smoke can be noted in the romantic works of Gros Murat and Francois Bouchers Venus and Mars (1754) and The Rape of Europe (1732) against the realistic works of Courbets The Calm Sea. In Europe, Bouchers purpose of the clouds is to make comfortable the reclining baby cherubs. What type of clouds can support one infant baby let alone three? not realistic clouds, but romantic clouds. Obviously it is an unrealistic perception of the behavior of clouds. Also note the treatment of clouds in Murat and Europe to the Sea. In Murat, clo uds conveniently converge identically and symmetrically from the shore and the sea to separate Murat upon the Turks from the fantastic background. The clouds intentionally converge over certain scenes of violence over others. While in the Sea, specific details are stippled to create the lining and forming of a cumulonimbus. The clouds are clearly separated from the horizons of the seashore and sealine. Courbet seeks to recreate perceptually what one would actually see at this dismal sight and persuades convincingly. The contrast of colors in reality and fantasy are also affected by the intensity of their hue. .ua7a290bcec9fcb3049c7128cdadcc293 , .ua7a290bcec9fcb3049c7128cdadcc293 .postImageUrl , .ua7a290bcec9fcb3049c7128cdadcc293 .centered-text-area { min-height: 80px; position: relative; } .ua7a290bcec9fcb3049c7128cdadcc293 , .ua7a290bcec9fcb3049c7128cdadcc293:hover , .ua7a290bcec9fcb3049c7128cdadcc293:visited , .ua7a290bcec9fcb3049c7128cdadcc293:active { border:0!important; } .ua7a290bcec9fcb3049c7128cdadcc293 .clearfix:after { content: ""; display: table; clear: both; } .ua7a290bcec9fcb3049c7128cdadcc293 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ua7a290bcec9fcb3049c7128cdadcc293:active , .ua7a290bcec9fcb3049c7128cdadcc293:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ua7a290bcec9fcb3049c7128cdadcc293 .centered-text-area { width: 100%; position: relative ; } .ua7a290bcec9fcb3049c7128cdadcc293 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ua7a290bcec9fcb3049c7128cdadcc293 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ua7a290bcec9fcb3049c7128cdadcc293 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ua7a290bcec9fcb3049c7128cdadcc293:hover .ctaButton { background-color: #34495E!important; } .ua7a290bcec9fcb3049c7128cdadcc293 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ua7a290bcec9fcb3049c7128cdadcc293 .ua7a290bcec9fcb3049c7128cdadcc293-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ua7a290bcec9fcb3049c7128cdadcc293:after { content: ""; display: block; clear: both; } READ: Fibonacci EssayThe use of light in Romantic paintings presents a stark contrast between light and very dark shadows. The source of light in Romanticism is usually artificial and intentional. Its purpose is to highlight the main subject. In Realism, many shades of a color are used to present the object as it is truly perceived. The light is a reproduction of a natural source and forms the outline of the object. There is very little blurring or smoke. Gros Napoleon Bonapart Visits the Plague Stricken at Jaffa can be contrasted to Courbets Deer in the Forest (1868). The Romantic technique of stark contrast between light and dark is used to separate Napoleon from the plague st ricken. Opposite of Realisms use of a natural light source, the main subject of Napoleon and two naked men are artificially and purposefully spotlighted in an otherwise very dark hallway. The Deer of Courbet finds an interesting use of light upon the triangle relationship between the two deer and the large tree. The main subject is a dear climbing up a tree, yet, the deer is completely covered in shadow. The interest lies in the use of bright spots of light speckling the deers backside from the dense collection of tiny leaves above. The touch is realistically effective. The shadows in Deer are also more realistic than romantic. When one perceives something far away, the blurring of the detail turns into a bluish green hue. Courbet recaptures that hue in the backgrounds of trees. The picture looks like a high resolution photograph. Also note the realistic behavior of light in John Singer Sargents Venetian Interior (1850-2). In this painting two modestly dressed Italian ladies walk t oward the painter arm in arm down a relatively bare hallway with two sources of light present: one behind the ladies leading to outside activity and one out of the picture between the painter and the ladies, casting light upon their feet. The women are dark and they somewhat recall impressionist technique, yet the intriguing element of realism is the effect of light upon whatever it touches in the hallway. The light source behind the ladies radiates detail unto an armoire at the beginning of the hallway yet fades. The presence of darkness is not in stark romantic contrast but the effect of less light in a darkened hallway. The figures obviously become more shadowy. Yet as their feet step into the second light source, great detail is placed on the portion of their feet and skirts. This contrast of light, combined with the contrasts of color and balance effect the total composition of the Romantic and Realistic painting. The subjects of realism are very different. Romantic themes appeal to the emotions and are determined by the ideals of the sublime, or sensual liberation, the fantastic, and a German ideal known as Sturm und Drung or storm and stress. Emotional tension is portrayed dramatically in peoples faces and their environments. Another very popular unrealistic Romantic icon is the presence of nudity. The themes of Realism are reactions against Romanticism. They picture the daily life. Picking up fruit, saying good-bye to a friend and interiors of hallways are examples of realistic themes. The contrast is easy to observe with Isabeys Wreck versus Courbets Calm Sea. The tension of diagonal lines against the tall seashore inn combined with the despair on the beached survivors faces create an tumultuous effect. Whereas in the Calm Sea, detail is emphasized on the texture of the inactive sand, the glimmering stillness of the sea and the presence of the clouds. Take Gros Murat and Courbets Bonjour. Murat gloriously tramples and impales the Turkish army, while friends say good bye to each other on a dirt road in Bonjour. Observe Bouchers Daphnis and Chloe (1743) and Adolph William Bauguereaus The Nut Gatherers (late 1800s). The bodily outlines of the scantily clad Daphnis and Chloe create diagonals which meet intimately at their faces. Obviously, an overt emphasis on Romance is depicted in this painting: completely comfortable naked youth upon a jagged mountain outcrop. Whereas in Nut Gatherers, two little girls lie down and pick up nuts in a field. Romance is not everyday. Picking up nuts could quite possibly be an everyday activity. Lastly, Bouchers Venus and Mars to John Singer Sargents Venetian Interior. A naked man and women exchange coy glances in a heavenly state surrounded by eleven cherubs playing with harps and military weapons. This is Romantic. Two discontent ladies with no men walk down a hallway arm in arm. I see this almost everyday at school. This is real. The ? conflict? between the ideals of romantic and realistic paintings are not primarily at opposition to each other, yet rather a reflection of the time and culture of the people who painted them. There is great appreciation for both styles and an inherent beauty in both. Their lasting beauty is a testament to the continuing practice of each of the styles today. .ud0c765989c860e5a75cda144ef4be871 , .ud0c765989c860e5a75cda144ef4be871 .postImageUrl , .ud0c765989c860e5a75cda144ef4be871 .centered-text-area { min-height: 80px; position: relative; } .ud0c765989c860e5a75cda144ef4be871 , .ud0c765989c860e5a75cda144ef4be871:hover , .ud0c765989c860e5a75cda144ef4be871:visited , .ud0c765989c860e5a75cda144ef4be871:active { border:0!important; } .ud0c765989c860e5a75cda144ef4be871 .clearfix:after { content: ""; display: table; clear: both; } .ud0c765989c860e5a75cda144ef4be871 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ud0c765989c860e5a75cda144ef4be871:active , .ud0c765989c860e5a75cda144ef4be871:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ud0c765989c860e5a75cda144ef4be871 .centered-text-area { width: 100%; position: relative ; } .ud0c765989c860e5a75cda144ef4be871 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ud0c765989c860e5a75cda144ef4be871 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ud0c765989c860e5a75cda144ef4be871 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ud0c765989c860e5a75cda144ef4be871:hover .ctaButton { background-color: #34495E!important; } .ud0c765989c860e5a75cda144ef4be871 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ud0c765989c860e5a75cda144ef4be871 .ud0c765989c860e5a75cda144ef4be871-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ud0c765989c860e5a75cda144ef4be871:after { content: ""; display: block; clear: both; } READ: Different Dining Experiences EssayRomanticismFrancois Boucher (1703-1770)? Daphnis et Chloe (1743)? The Rape of Europe (1732)? Venus and Mars (1754)Baron Antoine-Jean Gros (1771-1835)? Murats Defeating of the Turkish Army(1805) ? General Napoleon Visits the Troops? Napoleon Bonaparte Visits the Plague Stricken at JaffaEugene Isabey 1803 1886? Boat Ashore at Calas (1851)? The Wreck (1854)? Court Reception at Chateau (1852)RealismGustave Courbet (1819 1925) ? Bonjour Monsieur Courbet (1854)? Deer in the Forest (1868)? The Calm Sea (1869) John Singer Sargent (1856-1925)? Venetian Interior (1850-2)? Madame X (1883)Adolph William Baugueareau (1825-1905)? The Nut Gatherers (la te 1800s)A Survey of Romantic and Realistic PaintingsBrian VelascoArts and Painting